Ioncinema

Paul Schrader’s Oh, Canada – 2024 Cannes Critics’ Panel: Day 4
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Writer of the 1976 Palme d’Or winner Taxi Driver, and having been in comp with Mishima (1985) and Patty Hearst (1988), this is Paul Schrader’s long-awaited return with might be the final film of his career in Oh, Canada. This...
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Yorgos Lanthimos’ Kinds of Kindness – 2024 Cannes Critics’ Panel: Day 4
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A film that went into production as they were still doing post-production on Poor Things, Kinds of Kindness becomes Yorgos Lanthimos‘ third trip to the Cannes competition after presenting The Lobster in 2015 and then The Killing of a Sacred...
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Emanuel Pârvu’s Three Kilometres to the End of the World – 2024 Cannes Critics’ Panel: Day 4
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One of the last trio of entries to be included in the competition was completely off our radar. Actor turned director Emanuel Pârvu‘s third feature film received a highly coveted spot for a Cannes first-timer with Three Kilometres to the...
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In Retreat | 2024 Cannes Film Festival Review
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A Man of Constant Sorrow: Ali Explores the Network of Disconnection There’s an inescapable sense of mournfulness throughout Maisam Ali’s debut In Retreat, in which the forlorn protagonist has realized, quite irrefutably, that one can never go home again. But...
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Most People Die on Sundays | 2024 Cannes Film Festival Review
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A Month of Sundays: Said Squeezes Magic Out of Melancholy The tagline for Iair Said’s sophomore film More People Die on Sundays (Los domingos mueren más personas) could very well be “Death Be Not Loud,” as it examines a somewhat...
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Savanna and the Mountain | 2024 Cannes Film Festival Review
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Once Upon a Time in Barroso: Carneiro Speaks Truth to Power Opening with the gusto of a faded fairy tale, Portuguese filmmaker Paulo Carneiro’s Savanna and the Mountain (A savana e a montanha), which is technically the documentary filmmaker’s narrative...
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Oh, Canada | 2024 Cannes Film Festival Review
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Pieces of a Man: Schrader Explores Atonement in Toned Down Adaptation Throughout his illustrious career as a director and screenwriter, Paul Schrader has specialized in crafting characters, most often men, wracked with guilt and anxiety, searching for forgiveness. His twenty-fourth...
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Kinds of Kindness | 2024 Cannes Film Festival Review
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Bounds of Boundaries: Lanthimos Entertains Himself with Bizarre Triptych It’s safe to say Yorgos Lanthimos has undoubtedly entered the oblivious, self-indulgent era of his career with his latest, Kinds of Kindness, recycling a large number of his Poor Things (2023)...
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Three Kilometres To The End Of The World | 2024 Cannes Film Festival Review
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It Can’t Happen Here: Parvu’s Agonizing Procedural on Small Town Homophobia For his third feature, Three Kilometers to the End of the World, Romanian director Emanuel Pârvu once again tackles a scenario of strained relations between children and their parents....
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Vingt Dieux (Holy Cow) | 2024 Cannes Film Festival Review
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Smells Like Entrepreneurial Spirit!: Courvoisier Climbs Up the Totone Poll In her directorial debut, Louise Courvoisier delves into themes of altruism and resilience, navigating a narrative that straddles the line between a troubled past and an uncertain future. It’s got...
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