Ioncinema

Bird | 2024 Cannes Film Festival Review
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Dole Days: Arnold Flutters About with Strange Bedfellows There’s certainly a definable emotional core in Andrea Arnold’s fifth narrative feature, Bird, but the ideas and themes tying it all together are about as wispy and freewheeling as scattered feathers drifting...
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Francis Ford Coppola’s Megalopolis – 2024 Cannes Critics’ Panel: Day 3
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Winner of two Palme d’Ors, Francis Ford Coppola‘s makes a huge return to Cannes with a film that will not go unnoticed in Megalopolis. With the price tag of about 120 Sean Baker features, this Julius Caesar salad (forgive the...
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Les Fantômes (Ghost Trail) | 2024 Cannes Film Festival Review
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The Executioner’s Song: Millet’s Stabbing Debut Looks at How Control Moves Beyond Borders If a Syrian doesn’t find himself in Syria does he still make a sound? In Jonathan Millet’s feature debut, those who are far, far away from their...
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Andrea Arnold’s Bird – 2024 Cannes Critics’ Panel: Day 3
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We have two English-language items with two very different price tags in today’s double pairing for the competition. The first item out of the gate (that caused several of our critics scheduling issues) was the latest film by Andrea Arnold....
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The Invasion | 2024 Cannes Film Festival Review
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Life During Wartime: Loznitsa’s Gaze Blankets Ukraine Director Sergei Loznitsa continues as the ultimate contemporary chronicler of Ukraine’s past and present, his latest, the aptly titled The Invasion, highlighting lives of citizens over the past two years of war with...
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Megalopolis | 2024 Cannes Film Festival Review
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Atlas Farted: Coppola’s Labor of Love a Lackluster Saga While he’s one of the greatest film directors of all time, mostly thanks to a handful of films he delivered during the 1970s New American Cinema movement, Francis Ford Coppola’s long-gestating,...
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An Unfinished Film | 2024 Cannes Film Festival Review
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The Act of Watching: Lou Ye Mixes Picture Lock Dreams & Lock Down Nightmares Does a film exist if it was never completed? It’s a reality that no working filmmaker ever wants to entertain, and yet we find sixth-generation Chinese...
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The Hyperboreans | 2024 Cannes Film Festival Review
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From the Land of Ice and Snow: Cocina & Leon Pursue Hermetical Cinematic Spell To say the latest feature from the experimentally inclined Chilean directing duo Cristóbal León and Joaquín Cociña is unclassifiable would be something of an understatement, delving...
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The Damned | 2024 Cannes Film Festival Review
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The Damned Do Cry: Minervini Details a Doomed Mission For his first narrative feature, Roberto Minervini tackles another aspect of the evolving American identity with The Damned. A period piece depicting a company of volunteer soldiers charged with patrolling and protecting...
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Locust | 2024 Cannes Film Festival Review
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Code of Silence: KEFF Revisits Time of Turmoil For his directorial debut, KEFF revisits the pinnacle of turmoil during the 2019 Hong Kong protests as a backdrop for a pseudo gangland thriller and romantic drama in Locust. Much like its...
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