Ioncinema

The Universal Theory (Die Theorie Von Allem) | Review
||
Multiverse of Sadness: Kroger Captivates with Cryptic Cold War Sci-Fi Exploit Although it will invariably be confused with the 2014 Stephen Hawking biopic, Timm Kröger’s fascinating sophomore feature The Universal Theory (Die Theorie Von Allem) blends modern cinema’s excessive obsession...
continue reading
Megalopolis | Review
||
Atlas Farted: Coppola’s Labor of Love a Lackluster Saga While he’s one of the greatest film directors of all time, mostly thanks to a handful of films he delivered during the 1970s New American Cinema movement, Francis Ford Coppola’s long-gestating,...
continue reading
The Substance | Review
||
Woman of Substance: Fargeat Rejuvenates Body Horror with Pulpy Parable To borrow a succinct phrase from Beyonce, ‘pretty hurts,’ a sentiment quivering through Coraline Fargeat’s morbidly entertaining sophomore feature, The Substance. Its simplistic title eventually reveals itself to be a...
continue reading
Interview: Bernardo Britto – Omni Loop
||
One of the projects at the Sundance Institute’s 2017 Screenwriters Lab was a film called ‘Omni Loop Blues.’ Flash forward into 2024 and Bernardo Britto‘s Omni Loop premiered at the 2024 SXSW Film Festival and is about to launch theatrically...
continue reading
Day Moves: Josh O’Connor Toplines Kelly Reichardt’s ‘The Mastermind’
||
Keeping up with her pattern of releasing a film roughly every three years, Kelly Reichardt’s next project, The Mastermind, is one extra America indie auteur item to watch out for and if I were Venice Film Festival’s Alberto Barbera, I’d...
continue reading
Interview: Damien Chazelle – Whiplash
||
Whiplash receives a 10th Anniversary re-release – reissued with a new 4K DCP via Sony Pictures Classics and coming directly from a showcase at the 2024 Toronto Intl. Film Festival. We interviewed Damien Chazelle at Sundance back in 2014. Here...
continue reading
Exclusive Clip: Painted Birds in Elfar Adalsteins’ ‘Summerlight… and Then Comes the Night’
||
For his sophomore feature film, Icelandic filmmaker Elfar Adalsteins adapts from Icelandic author Jon Kalman Stefansson’s novel. This comes after 2019’s End of Sentence – the shot in Ireland drama starring John Hawkes, Logan Lerman and Sarah Bolger, Summerlight… and...
continue reading
The Babadook | Review
||
Consequences of Grief: Kent’s Stunning Debut Wades Through Primordial Fears Satisfying genre films are generally few and far between these days, so it’s with absolute delight to discover something as genuinely impressive as Jennifer Kent’s directorial debut, The Babadook. Expanded...
continue reading
Time for Change: Anna Cazenave Cambet Begins Production on ‘Love Me Tender’ with Vicky Krieps, Reinartz, Chokri & Ji-Min Park
||
French filmmaker Anna Cazenave Cambet was setting up shop for her sophomore feature with Vicky Krieps and Antoine Reinartz (Anatomy of a Fall fame) in the early mix. Now we learned that production has began with filmmaker-actress Monia Chokri and...
continue reading
A Different Man | Review
||
The Face of Another: Schimberg Scrutinizes the Pratfalls of Face Value Those familiar with his 2018 sophomore film Chained for Life will likely notate director Aaron Schimberg’s fascination with circuitous identity crises in A Different Man. The title is but...
continue reading