Slant Magazine

The film conjures a compelling illusion that would fall apart if it crossed the mall parking lot. The post ‘Forbidden Fruits’ Review: A Witchy Mall Comedy That Keeps You Under Its Spell appeared first on Slant Magazine.

The film is lean, mean, and feisty, even if it doesn’t quite stick the landing. The post ‘Pretty Lethal’ Review: ‘Pretty Lethal’ Review: An Action Flick That’s Glorious in Motion appeared first on Slant Magazine.

The sequel is just a retread of things that the first film pulled off with more cartoonish energy. The post ‘Ready or Not 2: Here I Come’ Review: Falling Back on Old Habits appeared first on Slant Magazine.

Based on a true story, Tow is flawed by a fundamental lack of authenticity. The post ‘Tow’ Review: Stephanie Laing’s Portrait of Homelessness Is Impounded by Sentimentality appeared first on Slant Magazine.

Coppola’s documentary spotlights the humanity and hard work that inform the look of luxury. The post ‘Marc by Sofia’ Review: A Fascinating Addition to Sofia Coppola’s Fashion-Conscious Filmography appeared first on Slant Magazine.

In conjunction with the release of Marc by Sofia, we ranked Sofia Coppola’s films. The post Sofia Coppola’s Movies, Ranked appeared first on Slant Magazine.

Late Shift depicts time and mortality, rather than class structures, as antagonists. The post ‘Late Shift’ Review: A Nurse Races Against the Clock in Petra Volpe’s Tense Workplace Thriller appeared first on Slant Magazine.

Koberidze discusses his Sony Ericsson-shot feature and why he’s fascinated by pixelated images. The post Interview: Alexandre Koberidze on ‘Dry Leaf’ and Finding the Rhythm of His Work appeared first on Slant Magazine.

The can-do spirit of Glowicki’s film takes it a long way. The post ‘Dead Lover’ Review: Grace Glowicki’s Infectiously Absurd ‘Frankenstein’ Riff appeared first on Slant Magazine.

Frémaux corrects the record on the Lumières’ importance to cinematic history. The post Interview: Thierry Frémaux on ‘Lumière, Le Cinéma!’ and the Value of the Shot appeared first on Slant Magazine.