Slant Magazine

Lumière, Le Cinéma! exalts pioneers of cinema without resorting to lazy hagiography. The post ‘Lumière, Le Cinéma!’ Review: Thierry Frémaux Compellingly Celebrates the Birth of Movies appeared first on Slant Magazine.

Vanessa Caswill’s film feels reverse engineered to maximize emotional impact. The post ‘Reminders of Him’ Review: Another Earnest and Predictable Colleen Hoover Adaptation appeared first on Slant Magazine.

Phil Lord and Christopher Miller put a winningly comedic spin on Andy Weir’s 2021 novel. The post ‘Project Hail Mary’ Review: Close Encounters of the Thoughtful and Charmingly Goofy Kind appeared first on Slant Magazine.

This year’s best picture race is a legitimate death match between two equally appealing options. The post Oscar Predictions 2026: What Will Win This Year appeared first on Slant Magazine.

This is a shotgun blast of a movie with no fealty to the conventions of modern gothic horror. The post ‘The Bride!’ Review: Maggie Gyllenhaal’s Messy Punk Tale Gives Mary Shelley Her Due appeared first on Slant Magazine.

On the occasion of Hoppers’s release, here’s our ranking of every Pixar feature to date. The post All 30 Pixar Movies, Ranked appeared first on Slant Magazine.

The film lays on chatty world-building that becomes less coherent the more of it there is. The post ‘Hoppers’ Review: ‘Avatar’ Meets ‘Pom Poko’ in Pixar’s Manic Eco-Conscious Adventure appeared first on Slant Magazine.

The film basically imagines what My Fair Lady would look like if it had teeth. The post ‘Heel’ Review: Jan Komasa’s Funny and Disturbing Thriller About the Fixing of a Bad Bloke appeared first on Slant Magazine.

The weight of symbolism eventually drags the story down and stalls the characterizations. The post ‘Salvation’ Review: A Multifaceted, If Sluggish, Exploration of Inter-Ethnic Conflict appeared first on Slant Magazine.

The film is a drug-and-dance-music-fueled party girl’s lament. The post ‘Erupcja’ Review: Charli XCX Feels Wanderlust in Pete Ohs’s Freewheeling City Symphony appeared first on Slant Magazine.