Slant Magazine

The script does present some intriguing moral complexity every so often. The post ‘Wolfram’ Review: Warwick Thornton’s Visually Striking, Unfocused ‘Sweet Country’ Sequel appeared first on Slant Magazine.

The film is a poignant portrait of the desire for queer kinship within one’s very bloodline. The post ‘In a Whisper’ Review: Leyla Bouzid’s Sensitively Probes the Bonds of a Tunisian Family appeared first on Slant Magazine.

There’s something pleasingly unpretentious about how little room the film leaves for subtext. The post ‘Nightborn’ Review: Bringing Up a Monster Baby appeared first on Slant Magazine.

Freudians will have a field day with Schleinzer’s 17th-century-set third feature. The post ‘Rose’ Review: Markus Schleinzer’s Fine-Grained 17th-Century Folk Tale About Gender Roles appeared first on Slant Magazine.

The brittle humanity of the characters is the key ingredient to the film’s grim sense of irony. The post ‘How to Make a Killing’ Review: John Patton Ford’s Shrewd Retooling of an Ealing Classic appeared first on Slant Magazine.

Adam McDonald’s film struggles to bring its non-zombie characters to life. The post ‘This Is Not a Test’ Review: Detention of the Dead appeared first on Slant Magazine.

The film, written by Efthymis Filippou, is a cartoonish cavalcade of pedestrian perversions. The post ‘Rosebush Pruning’ Review: Karim Aїnouz’s Satire of the Ultra-Rich Is Shockingly Banal appeared first on Slant Magazine.

For better and worse, the film suggests a low-rent spin on Terminator 2: Judgment Day. The post ‘Redux Redux’ Review: Revenge on Repeat appeared first on Slant Magazine.

Gomis’s sixth feature suggests a less sardonic version of one of Robert Altman’s hangout movies. The post ‘Dao’ Review: Alain Gomis’s Family Saga Is a Whirling Dervish of Messy Emotions appeared first on Slant Magazine.

The film demonstrates the same sense of political urgency as The Teacher’s Lounge. The post ‘Yellow Letters’ Review: İlker Çatak’s Politically Urgent Portrait of a Marriage on the Brink appeared first on Slant Magazine.