Slant Magazine

Riley discusses how he views boosting as inherent to capitalism. The post Interview: Boots Riley on His Sophomore Feature ‘I Love Boosters,’ Capitalism, and Theft appeared first on Slant Magazine.

Jude’s “variation on” Octave Mirbeau’s novel is an exuberant hodgepodge of genre modes. The post ‘Diary of a Chambermaid’ Review: Radu Jude’s Despondent, Biting Adaptation of a Classic appeared first on Slant Magazine.

There isn’t much room in Brennand’s film for contradiction or ambiguity. The post ‘Manas’ Review: Marianna Brennand’s Somber, Oddly Impersonal Portrait of Child Abuse appeared first on Slant Magazine.

The film feels like a circus act, a well-dressed elephant on a unicycle juggling a dozen balls. The post ‘I Love Boosters’ Review: Boots Riley’s Exhaustingly Surreal Anti-Capitalist Satire appeared first on Slant Magazine.

“Primal” is a good word to describe the characters from these feature directorial debuts. The post Cannes Film Festival 2026: Lila Pinell’s ‘Shana’ and Pierre le Gall’s ‘Flesh and Fuel’ appeared first on Slant Magazine.

In the Grey has a jaunty spirit that cuts against the dour grain of many modern action films. The post ‘In the Grey’ Review: Guy Ritchie’s Breezy, Island-Set Actioner Chases Its Own Tail appeared first on Slant Magazine.

This Screenlife heist flick is an unlikely study of Gen Z nostalgia. The post ‘LifeHack’ Review: Ronan Corrigan’s Thrilling Depiction of a Cyber Heist appeared first on Slant Magazine.

Barker discusses the careful balance of comedy and horror across his sophomore feature. The post Interview: Curry Barker on ‘Obsession’ and Lingering in a Scene’s Discomfort appeared first on Slant Magazine.

The film’s big set pieces are as chilling in their effect as they are confident in their execution. The post ‘Obsession’ Review: Folk Horror Meets Break-Up Blues in Curry Barker’s Sophomore Feature appeared first on Slant Magazine.

The film’s big set pieces are as chilling in their effect as they are confident in their execution. The post ‘Obsession’ Review: A Chilling, Supernaturally Tinged Portrait of a Crush Gone Awry appeared first on Slant Magazine.