Slant Magazine

At the SAGs last weekend, it was easy to see how Emilia Pérez’s luck had faded. The post Oscar 2025 Winner Predictions: International Feature Film appeared first on Slant Magazine.

This category could end up being a consolation prize for The Brutalist. The post Oscar 2025 Winner Predictions: Cinematography appeared first on Slant Magazine.

It’s hard not to see Dune: Part Two’s sandworm mayhem as being in its own lane here. The post Oscar 2025 Winner Predictions: Sound appeared first on Slant Magazine.

The narrative drive of Conclave’s script proves a model for concision and momentum. The post Oscar 2025 Winner Predictions: Adapted Screenplay appeared first on Slant Magazine.

The narrative drive of Conclave’s script proves a model for concision and momentum. The post Oscar 2025 Winner Predictions: Writing (Adapted Screenplay) appeared first on Slant Magazine.

The Ice Tower is, ultimately, an aesthetic and nostalgic exercise. The post ‘The Ice Tower’ Review: Lucile Hadžihalilović’s Beautifully Tactile Fairy Tale of Obsession appeared first on Slant Magazine.

This is a category that significantly favors best picture nominees. The post Oscar 2025 Winner Predictions: Visual Effects appeared first on Slant Magazine.

The film is an empowering narrative of one woman who refuses to see age as a ceiling. The post ‘The Blue Trail’ Review: In Gabriel Mascaro’s Vivid Road Movie, It’s No Country for Old Women appeared first on Slant Magazine.

The film is a startling vision of two eras shaped in literal and cultural ways by Black people. The post ‘Compensation’ Review: A Century-Spanning Celebration of Black Self-Expression appeared first on Slant Magazine.

BLKNWS zooms across the screen, propelled by the volume and velocity of its ideas. The post ‘BLKNWS: Terms & Conditions’ Review: Songs in the Key of Video Art appeared first on Slant Magazine.