Slant Magazine

‘I’m Still Here’ Review: Walter Salles’s Personal Chronicle of a Political Disappearance
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I’m Still Here’s affection for its subjects, though tender, is largely hagiographic. The post ‘I’m Still Here’ Review: Walter Salles’s Personal Chronicle of a Political Disappearance appeared first on Slant Magazine.
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Polish Film Festival 2024: ‘Under the Volcano,’ ‘The Girl with a Needle,’ ‘Night Silence,’ & More
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The 49th edition of the festival was a showcase of more liberal sentiments and artistic styles. The post Polish Film Festival 2024: ‘Under the Volcano,’ ‘The Girl with a Needle,’ ‘Night Silence,’ & More appeared first on Slant Magazine.
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‘Who by Fire’ Review: Philippe Lesage’s Fluid and Riveting Tale of Simmering Rivalries
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This is a film of great freedom, suggesting that anything can happen at any given moment. The post ‘Who by Fire’ Review: Philippe Lesage’s Fluid and Riveting Tale of Simmering Rivalries appeared first on Slant Magazine.
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‘My Undesirable Friends: Part I — Last Air in Moscow’ Review: A Trenchant Reality Show
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The drama of the film is a literal life and death struggle that’s exceedingly of this moment. The post ‘My Undesirable Friends: Part I — Last Air in Moscow’ Review: A Trenchant Reality Show appeared first on Slant Magazine.
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‘Queer’ Review: Luca Guadagnino’s Pitiable William S. Burroughs Adaptation
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In Guadagnino’s latest, the queer, tragically, becomes quotidian. The post ‘Queer’ Review: Luca Guadagnino’s Pitiable William S. Burroughs Adaptation appeared first on Slant Magazine.
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‘Christmas Eve in Miller’s Point’ Review: An Ecstatically Maximalist Celebration of Ritual
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The huge party at the film’s center is among the great parties of recent American cinema. The post ‘Christmas Eve in Miller’s Point’ Review: An Ecstatically Maximalist Celebration of Ritual appeared first on Slant Magazine.
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‘Hard Truths’ Review: Mike Leigh’s Compassionate Portrait of a Woman on the Brink
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The film finds Marianne Jean-Baptiste channeling an anger that feels excruciatingly real. The post ‘Hard Truths’ Review: Mike Leigh’s Compassionate Portrait of a Woman on the Brink appeared first on Slant Magazine.
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‘Emilia Pérez’ Review: Jacques Audiard’s Melo-Noir Musical Makes It Up As It Goes Along
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Just as its style is enervating, Emilia Pérez settles for mundane portraiture. The post ‘Emilia Pérez’ Review: Jacques Audiard’s Melo-Noir Musical Makes It Up As It Goes Along appeared first on Slant Magazine.
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‘The Shrouds’ Review: David Cronenberg’s Disquieting Story of Grief and Disillusionment
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Grief may be its starting point, but the film has much more on its mind than that. The post ‘The Shrouds’ Review: David Cronenberg’s Disquieting Story of Grief and Disillusionment appeared first on Slant Magazine.
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‘On Becoming a Guinea Fowl’ Review: A Playfully Searing Drama About the Perils of Denial
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Writer-director Rungano Nyoni’s second feature is as acerbic as it is unforgiving. The post ‘On Becoming a Guinea Fowl’ Review: A Playfully Searing Drama About the Perils of Denial appeared first on Slant Magazine.
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