Slant Magazine

‘Tron: Ares’ Review: Neon-Streaked Sequel Clumsily Chases After Contemporary Relevance
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The film stubbornly adheres to the same action template as the first two films in the series. The post ‘Tron: Ares’ Review: Neon-Streaked Sequel Clumsily Chases After Contemporary Relevance appeared first on Slant Magazine.
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‘Miroirs No. 3’ Review: Christian Petzold’s Quietly Haunting Domestic Drama
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Petzold has crafted yet another sneakily trenchant commentary on How We Live Now. The post ‘Miroirs No. 3’ Review: Christian Petzold’s Quietly Haunting Domestic Drama appeared first on Slant Magazine.
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‘Urchin’ Review: Harris Dickinson’s Deeply Felt Portrait of Addiction and Homelessness
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The film is most fascinating for its interrogation of its own representation. The post ‘Urchin’ Review: Harris Dickinson’s Deeply Felt Portrait of Addiction and Homelessness appeared first on Slant Magazine.
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‘100 Meters’ Review: Iwaisawa Kenji’s Breathtaking Animation Showpiece
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To get to the primal thrill of racing, Iwaisawa uses just about every technique at his disposal. The post ‘100 Meters’ Review: Iwaisawa Kenji’s Breathtaking Animation Showpiece appeared first on Slant Magazine.
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‘Two Prosecutors’ Review: Sergei Loznitsa’s Sharp Critique of a Revolution Eating Its Own
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The film is a satiric look at Stalinism and bureaucracy with shades of Kafka, Orwell, and Gogol. The post ‘Two Prosecutors’ Review: Sergei Loznitsa’s Sharp Critique of a Revolution Eating Its Own appeared first on Slant Magazine.
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‘Resurrection’ Review: Bi Gan’s Obscure Meditation on Cinema as Dreaming
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At times, Resurrection seems to outright taunt viewers for trying to make sense of it all. The post ‘Resurrection’ Review: Bi Gan’s Obscure Meditation on Cinema as Dreaming appeared first on Slant Magazine.
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Every Paul Thomas Anderson Movie, Ranked
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PTA is a portraitist who specializes in characters with longings that they can barely understand. The post Every Paul Thomas Anderson Movie, Ranked appeared first on Slant Magazine.
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‘The Love That Remains’ Review: Hlynur Pálmason’s Lyrical Look at a Family’s Fracture
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Pálmason’s impressionistic approach allows us the space to form our own judgments. The post ‘The Love That Remains’ Review: Hlynur Pálmason’s Lyrical Look at a Family’s Fracture appeared first on Slant Magazine.
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‘Play Dirty’ Review: Mark Wahlberg Is Donald Westlake’s Parker in Retrograde Action Thriller
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Shane Black’s film plays like a misguided action extravaganza from the 1980s. The post ‘Play Dirty’ Review: Mark Wahlberg Is Donald Westlake’s Parker in Retrograde Action Thriller appeared first on Slant Magazine.
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‘The Fence’ Review: Claire Denis’s Parable About Colonialism and Racial Segregation
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Denis approaches a simple setup via a discordant melding of cinematic and stagy modes. The post ‘The Fence’ Review: Claire Denis’s Parable About Colonialism and Racial Segregation appeared first on Slant Magazine.
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