Slant Magazine

‘Bugonia’ Review: Yorgos Lanthimos’s Damning, Bonkers Indictment of Our Fractured Times
||
The film unearths new depths of existential anxiety engendered by our tumultuous times. The post ‘Bugonia’ Review: Yorgos Lanthimos’s Damning, Bonkers Indictment of Our Fractured Times appeared first on Slant Magazine.
continue reading
New York Film Festival 2025
||
This year’s slate provides a lucid window on a world in a state of turmoil and reinvention. The post New York Film Festival 2025 appeared first on Slant Magazine.
continue reading
‘Sisu: Road to Revenge’ Review: A Rowdy, Looney Tunes-esque Sequel to a Sleeper Hit
||
Much of Road to Revenge plays like a spectacularly gory silent film. The post ‘Sisu: Road to Revenge’ Review: A Rowdy, Looney Tunes-esque Sequel to a Sleeper Hit appeared first on Slant Magazine.
continue reading
‘Romería’ Review: An Intensely Personal Portrait of a Woman Reconciling with the Past
||
Romería could be seen as a sequel of sorts to Carla Simón’s autobiographical Summer 1993. The post ‘Romería’ Review: An Intensely Personal Portrait of a Woman Reconciling with the Past appeared first on Slant Magazine.
continue reading
‘The Strangers: Chapter 2’ Review: Masked Villains Get a Backstory in Perfunctory Sequel
||
Chapter 2 plays for a while like a needlessly extended epilogue to the first film. The post ‘The Strangers: Chapter 2’ Review: Masked Villains Get a Backstory in Perfunctory Sequel appeared first on Slant Magazine.
continue reading
‘The Currents’ Review: Milagros Mumenthaler’s Mesmerizing Portrait of Estrangement
||
Mumenthaler’s attention to subjectivity invites comparison to Virginia Woolf’s work. The post ‘The Currents’ Review: Milagros Mumenthaler’s Mesmerizing Portrait of Estrangement appeared first on Slant Magazine.
continue reading
‘The Mastermind’ Review: Kelly Reichardt’s Heist Movie Is a Sneakily Bitter Portrait of a Nation
||
The film sees the narrow self-interest of a nation reflected in the man at its center. The post ‘The Mastermind’ Review: Kelly Reichardt’s Heist Movie Is a Sneakily Bitter Portrait of a Nation appeared first on Slant Magazine.
continue reading
‘Black Phone 2’ Review: An Eerie, Tactile Plunge into the Realm of Dreamscapes
||
The film collapses dreams, reality, past, and present into a singular cinematic haunted space. The post ‘Black Phone 2’ Review: An Eerie, Tactile Plunge into the Realm of Dreamscapes appeared first on Slant Magazine.
continue reading
‘Primate’ Review: Johannes Roberts’s Killer Ape Movie Is a Slick, Pathos-Free Throwback
||
It’s telling that Primate is high-strung in its eagerness to get down to the carnage. The post ‘Primate’ Review: Johannes Roberts’s Killer Ape Movie Is a Slick, Pathos-Free Throwback appeared first on Slant Magazine.
continue reading
‘The Last One for the Road’ Review: A Low-Key Journey Through the Venetian Countryside
||
This gene splice of road movie and coming-of-age story is as whimsical as it is disjointed. The post ‘The Last One for the Road’ Review: A Low-Key Journey Through the Venetian Countryside appeared first on Slant Magazine.
continue reading