Slant Magazine

Across Park’s film, “no other choice” becomes a kind of disingenuous mantra. The post ‘No Other Choice’ Review: Park Chan-wook’s Ferociously Farcical Skewering of Capitalism appeared first on Slant Magazine.

The film is a memorable take on the real-time spectacles we make of crime and punishment. The post ‘Dead Man’s Wire’ Review: Gus Van Sant’s Breathlessly Satirical True-Crime Thriller appeared first on Slant Magazine.

There comes a point where After the Hunt is defined by its convolutions. The post ‘After the Hunt’ Review: Luca Guadagnino’s Hollow Provocation About Cancel Culture appeared first on Slant Magazine.

The correlation of football to an arcane tradition is the only novel insight offered by Him. The post ‘Him’ Review: GOATs Go to Hell appeared first on Slant Magazine.

Osit discusses To Catch a Predator, Chris Hansen’s thoughts on the documentary, and more. The post Interview: David Osit on ‘Predators’ and Turning Law Enforcement into Entertainment appeared first on Slant Magazine.

The film cloyingly asks us to embrace the sincerity of its impersonal romance. The post ‘A Big Bold Beautiful Journey’ Review: Kogonada’s Tonally Uncertain Romantic Fantasy appeared first on Slant Magazine.

This “loose adaptation” of Thomas Pynchon’s Vineland turns overreaching into an art form. The post ‘One Battle After Another’ Review: Paul Thomas Anderson’s Overstuffed Satirical Knickknack appeared first on Slant Magazine.

Hong’s technique here is key to the resonance of his latest examination of an artist’s life. The post ‘What Does That Nature Say to You’ Review: Hong Sang-soo’s Trains a Blurry Lens on the Art Life appeared first on Slant...

The film plunges us into a world that feels simultaneously naturalistic and otherworldly. The post ‘Rose of Nevada’ Review: Mark Jenkin’s Trippy Meditation on the Slipperiness of Time appeared first on Slant Magazine.

Assayas’s knack for fostering insight through irony is nowhere to be found in the film. The post ‘The Wizard of the Kremlin’ Review: Olivier Assayas’s Leaden Portrait of Putin’s Kingmaker appeared first on Slant Magazine.