Slant Magazine

Plante discusses whether online culture encourages people to hide themselves in society. The post Interview: Pascal Plante on Subverting True Crime Tropes with ‘Red Rooms’ appeared first on Slant Magazine.

Perry’s Cubist portrait finds a fitting balance between reverence and mischievousness. The post ‘Pavements’ Review: Alex Ross Perry’s Slanted and Enchanted Portrait of Indie Band Pavement appeared first on Slant Magazine.

Folie à Deux is a film caught between a rock and a hard place of its own making. The post ‘Joker: Folie à Deux’ Review: Crazy, Stupid Love appeared first on Slant Magazine.

Miguel Gomes casts a satirical eye on a globetrotting journey’s basis in colonial conquest. The post ‘Grand Tour’ Review: A Playful Look at a Doomed Romance in the Twilight of Colonialism appeared first on Slant Magazine.

The film’s images and words are an imprint of tremendous state violence. The post ‘Intercepted’ Review: Oksana Karpovych’s Chilly Document of War, Indifference, and More appeared first on Slant Magazine.

The level of detail with which the filmmakers depict the unionization process is eye-opening. The post ‘Union’ Review: An On-the-Ground Look at a Unionization Effort at an Amazon Warehouse appeared first on Slant Magazine.

It’s a shame that Angelina Jolie is relegated to playing by the Larraín rulebook. The post ‘Maria’ Review: Pablo Larraín’s Biopic Places La Callas at a Chilly Distance from Audiences appeared first on Slant Magazine.

The film is a strange case of the homage that outstrips what it’s meant to be imitating. The post ‘Daaaaaalí!’ Review: Quentin Dupieux’s Funny, Unpredictable Ode to the Spanish Surrealist appeared first on Slant Magazine.

Daisuke Miyazaki’s tale of young love is a little too country to be rock ‘n’ roll. The post ‘Plastic’ Review: What’s My Age Again? appeared first on Slant Magazine.

Dea Kulumbegashvili’s film seeks to embody a dizzying span of human experience. The post ‘April’ Review: A Matter of Life and Death appeared first on Slant Magazine.