Slant Magazine

Its pantomime villains aside, this is a film about men who are doing their best to serve God. The post ‘Conclave’ Review: An Enthrallingly Twisty, and Unexpectedly Funny, Papal Thriller appeared first on Slant Magazine.

The film is most interesting when observing the subtler power dynamics at play within frats. The post ‘The Line’ Review: Ethan Berger’s Compelling Look at the Groupthink of Greek Life appeared first on Slant Magazine.

The film’s keen painterly eye and impressive showmanship run counter to any ethical agenda. The post ‘Blitz’ Review: Steve McQueen to the Oft-Elegized Blitz Spirit Is a Sentimental Operation appeared first on Slant Magazine.

The meticulous recounting of Sara Jane Moore’s actions only deepens their mystery. The post ‘Suburban Fury’ Review: Robinson Devor Deepens the Mystery Around a Would-Be Assassin appeared first on Slant Magazine.

John Crowley's film never builds to a cohesive, or emotionally satisfying, whole. The post ‘We Live in Time’ Review: Andrew Garfield and Florence Pugh Anchor Time Jump-Happy Weepie appeared first on Slant Magazine.

I’m Still Here’s affection for its subjects, though tender, is largely hagiographic. The post ‘I’m Still Here’ Review: Walter Salles’s Personal Chronicle of a Political Disappearance appeared first on Slant Magazine.

The 49th edition of the festival was a showcase of more liberal sentiments and artistic styles. The post Polish Film Festival 2024: ‘Under the Volcano,’ ‘The Girl with a Needle,’ ‘Night Silence,’ & More appeared first on Slant Magazine.

This is a film of great freedom, suggesting that anything can happen at any given moment. The post ‘Who by Fire’ Review: Philippe Lesage’s Fluid and Riveting Tale of Simmering Rivalries appeared first on Slant Magazine.

The drama of the film is a literal life and death struggle that’s exceedingly of this moment. The post ‘My Undesirable Friends: Part I — Last Air in Moscow’ Review: A Trenchant Reality Show appeared first on Slant Magazine.

In Guadagnino’s latest, the queer, tragically, becomes quotidian. The post ‘Queer’ Review: Luca Guadagnino’s Pitiable William S. Burroughs Adaptation appeared first on Slant Magazine.