Slant Magazine

Stretched to its ideological limits, Pepe is about the nasty domino effect of colonialism. The post ‘Pepe’ Review: Nelson Carlo de los Santos Arias’s Fragmentary Post-Colonial Fable appeared first on Slant Magazine.

Recalling Minervini’s past docufiction work, the film is a show of impressionistic portraiture. The post ‘The Damned’ Review: Roberto Minervini’s Ponderous Vision of the Monotony of War appeared first on Slant Magazine.

The film is winningly defined by a peculiar admixture of national pride and self-deprecation. The post ‘Rumours’ Review: Guy Maddin’s Lightly Surreal and Wildly Funny Satire of Political Ineptitude appeared first on Slant Magazine.

Hong’s film understands that the reassuring bond of community that can also be a trap. The post ‘By the Stream’ Review: Hong Sang-soo’s Bittersweet Tale About Fostering Belonging appeared first on Slant Magazine.

The film is prone to indulge in poetic intermezzos, at once earthy and otherworldly. The post ‘Viet and Nam’ Review: Truong Minh Quy’s Queer Romance Mines Beauty from Desolation appeared first on Slant Magazine.

The film’s treatment of its subject is belligerently hamfisted, disingenuous, and incurious. The post ‘Reagan’ Review: President or Saint? This Biopic of the Gipper Can’t Tell the Difference appeared first on Slant Magazine.

The film ultimately exploits an urgent crisis in order to provide audiences with genre kicks. The post ‘City of Dreams’ Review: Casting a Lurid Light on the Shadows of Child Trafficking appeared first on Slant Magazine.

The continued cutaways back to Earth effectively de-pressurize Slingshot’s main plotline. The post ‘Slingshot’ Review: A Consistently Tension-Deflating Trip to One of Saturn’s Moons appeared first on Slant Magazine.

For better and worse, you can tell that The Wasp was initially written for the stage. The post ‘The Wasp’ Review: A Well-Acted Drama of Revenge That Backs Itself Into a Corner appeared first on Slant Magazine.

The film somehow shows its hand too early and plays its cards too close to its chest. The post ‘Blink Twice’ Review: Zoë Kravitz’s Me Too Thriller Borrows from the ‘Get Out’ Playbook appeared first on Slant Magazine.