Slant Magazine

R.T. Thorne’s film continually finds clever ways to subvert familiar story beats. The post ‘40 Acres’ Review: Danielle Deadwyler Is Ferocious in Tense Post-Apocalyptic Thriller appeared first on Slant Magazine.

This high-energy crowd pleaser suggests a remake of Terminator 2 as directed by John Waters. The post ‘M3GAN 2.0’ Review: Mother Serves in Hard Sci-Fi Sequel with a Technosocial Conscience appeared first on Slant Magazine.

The post The Best Films of 2025 … So Far appeared first on Slant Magazine.

The film conjures a distinct mood, if obliquely, through intimations of doom. The post ‘Afternoons of Solitude’ Review: Albert Serra’s Trance-Like Portrait of a Blood Sport appeared first on Slant Magazine.

The writer-director-actor discusses how the film is in conversation with other depictions of sexual assault. The post Interview: Eva Victor on Finding Joy in Control While Making ‘Sorry, Baby’ appeared first on Slant Magazine.

On the occasion of Elio’s release, here’s our ranking of every Pixar feature to date. The post All 29 Pixar Movies, Ranked appeared first on Slant Magazine.

The film’s conception of the future, perceptively, looks back to humankind’s primeval past. The post ‘28 Years Later’ Review: Danny Boyle’s Thrillingly Staged Vision of the Horrors Within Us appeared first on Slant Magazine.

Friedland and Chalfant discuss aesthetics adding empathy to the recreation of dementia. The post Interview: Sarah Friedland and Kathleen Chalfant on Creating an Eternal Present in ‘Familiar Touch’ appeared first on Slant Magazine.

Elio’s best trait is the one that permeates every truly great first-contact story. The post ‘Elio’ Review: Princes of the Universe appeared first on Slant Magazine.

In the end, F1 succeeds for many of the same reasons that Top Gun: Maverick does. The post ‘F1: The Movie’ Review: Joseph Kosinski’s Racing Movie Coasts on Old-School Filmmaking Swagger appeared first on Slant Magazine.