Slant Magazine

‘The Strangers: Chapter 2’ Review: Masked Villains Get a Backstory in Perfunctory Sequel
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Chapter 2 plays for a while like a needlessly extended epilogue to the first film. The post ‘The Strangers: Chapter 2’ Review: Masked Villains Get a Backstory in Perfunctory Sequel appeared first on Slant Magazine.
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‘The Currents’ Review: Milagros Mumenthaler’s Mesmerizing Portrait of Estrangement
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Mumenthaler’s attention to subjectivity invites comparison to Virginia Woolf’s work. The post ‘The Currents’ Review: Milagros Mumenthaler’s Mesmerizing Portrait of Estrangement appeared first on Slant Magazine.
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‘The Mastermind’ Review: Kelly Reichardt’s Heist Movie Is a Sneakily Bitter Portrait of a Nation
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The film sees the narrow self-interest of a nation reflected in the man at its center. The post ‘The Mastermind’ Review: Kelly Reichardt’s Heist Movie Is a Sneakily Bitter Portrait of a Nation appeared first on Slant Magazine.
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‘Black Phone 2’ Review: An Eerie, Tactile Plunge into the Realm of Dreamscapes
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The film collapses dreams, reality, past, and present into a singular cinematic haunted space. The post ‘Black Phone 2’ Review: An Eerie, Tactile Plunge into the Realm of Dreamscapes appeared first on Slant Magazine.
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‘Primate’ Review: Johannes Roberts’s Killer Ape Movie Is a Slick, Pathos-Free Throwback
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It’s telling that Primate is high-strung in its eagerness to get down to the carnage. The post ‘Primate’ Review: Johannes Roberts’s Killer Ape Movie Is a Slick, Pathos-Free Throwback appeared first on Slant Magazine.
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‘The Last One for the Road’ Review: A Low-Key Journey Through the Venetian Countryside
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This gene splice of road movie and coming-of-age story is as whimsical as it is disjointed. The post ‘The Last One for the Road’ Review: A Low-Key Journey Through the Venetian Countryside appeared first on Slant Magazine.
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‘No Other Choice’ Review: Park Chan-wook’s Ferociously Farcical Skewering of Capitalism
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Across Park’s film, “no other choice” becomes a kind of disingenuous mantra. The post ‘No Other Choice’ Review: Park Chan-wook’s Ferociously Farcical Skewering of Capitalism appeared first on Slant Magazine.
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‘Dead Man’s Wire’ Review: Gus Van Sant’s Breathlessly Satirical True-Crime Thriller
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The film is a memorable take on the real-time spectacles we make of crime and punishment. The post ‘Dead Man’s Wire’ Review: Gus Van Sant’s Breathlessly Satirical True-Crime Thriller appeared first on Slant Magazine.
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‘After the Hunt’ Review: Luca Guadagnino’s Hollow Provocation About Cancel Culture
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There comes a point where After the Hunt is defined by its convolutions. The post ‘After the Hunt’ Review: Luca Guadagnino’s Hollow Provocation About Cancel Culture appeared first on Slant Magazine.
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‘Him’ Review: GOATs Go to Hell
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The correlation of football to an arcane tradition is the only novel insight offered by Him. The post ‘Him’ Review: GOATs Go to Hell appeared first on Slant Magazine.
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