Slant Magazine

‘Fly Me to the Moon’ Review: Greg Berlanti’s Space Age Rom-Com Gets Far on Star Chemistry
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The shift toward the weighty throws off the pace of what had been a charming rom-com. The post ‘Fly Me to the Moon’ Review: Greg Berlanti’s Space Age Rom-Com Gets Far on Star Chemistry appeared first on Slant Magazine.
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Interview: Oz Perkins and Maika Monroe on ‘Longlegs’ and Their Freeing Collaboration
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Perkins and Monroe discuss working with Nicolas Cage, the film’s influences, and more. The post Interview: Oz Perkins and Maika Monroe on ‘Longlegs’ and Their Freeing Collaboration appeared first on Slant Magazine.
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‘Longlegs’ Review: Oz Perkins’s Riveting, If Rarely Revelatory, Serial Killer Chiller
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This is a sturdily constructed horror film with a foundation sneakily built on shifting sands. The post ‘Longlegs’ Review: Oz Perkins’s Riveting, If Rarely Revelatory, Serial Killer Chiller appeared first on Slant Magazine.
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‘Dandelion’ Review: Words Don’t Always Sing in Nicole Riegel’s Sophomore Feature
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Around the edges of the central relationship, Dandelion is disappointingly diffused. The post ‘Dandelion’ Review: Words Don’t Always Sing in Nicole Riegel’s Sophomore Feature appeared first on Slant Magazine.
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‘Made in England: The Films of Powell & Pressburger’ Review: To the Archers, with Love
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The film is a loving, personal tribute to the filmmaking duo known as the Archers. The post ‘Made in England: The Films of Powell & Pressburger’ Review: To the Archers, with Love appeared first on Slant Magazine.
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‘Sing Sing’ Review: A Humane, If Self-Aware, Look at Healing Through Art and Collaboration
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This is a film of noble intentions, and it boasts vulnerable performances from its cast. The post ‘Sing Sing’ Review: A Humane, If Self-Aware, Look at Healing Through Art and Collaboration appeared first on Slant Magazine.
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‘The Convert’ Review: New Zealand Period Drama Nearly Succumbs to White Savior Syndrome
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The film isn’t well served by centering the perspective of Guy Pearce’s white British preacher. The post ‘The Convert’ Review: New Zealand Period Drama Nearly Succumbs to White Savior Syndrome appeared first on Slant Magazine.
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Karlovy Vary Film Festival 2024: Leos Carax’s ‘It’s Not Me’ and Abdellah Taïa’s ‘Cabo Negro’
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It’s Not Me begins with a modest “I don’t know” as a riposte to a proposed riddle. The post Karlovy Vary Film Festival 2024: Leos Carax’s ‘It’s Not Me’ and Abdellah Taïa’s ‘Cabo Negro’ appeared first on Slant Magazine.
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‘Beverly Hills Cop: Axel F’ Review: Entertaining Legacy Sequel Seeks Comfort in Nostalgia
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Like that infectious, iconic synth-pop theme, this is a film of familiar pleasures. The post ‘Beverly Hills Cop: Axel F’ Review: Entertaining Legacy Sequel Seeks Comfort in Nostalgia appeared first on Slant Magazine.
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FIDMarseille 2024: ‘An Oscillating Shadow,’ ‘Amusement Park,’ and ‘Kunst der Farbe’
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These three films bear the scars from a region’s history of violence like a fertile inheritance. The post FIDMarseille 2024: ‘An Oscillating Shadow,’ ‘Amusement Park,’ and ‘Kunst der Farbe’ appeared first on Slant Magazine.
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