Slant Magazine

‘I Only Rest in the Storm’ Review: Pedro Pinho’s Didactic Portrait of Post-Colonial Relations
||
In the film, pedagogy even has to share space with the carnal frisson of the dance floor. The post ‘I Only Rest in the Storm’ Review: Pedro Pinho’s Didactic Portrait of Post-Colonial Relations appeared first on Slant Magazine.
continue reading
‘The Threesome’ Review: Chad Hartigan’s Refreshingly Insightful Modern Rom-Com
||
The film effortlessly melds its sadcom properties with more predictable rom-com traditions. The post ‘The Threesome’ Review: Chad Hartigan’s Refreshingly Insightful Modern Rom-Com appeared first on Slant Magazine.
continue reading
‘Preparation for the Next Life’ Review: Bing Liu’s Clear-Eyed Portrait of Love on the Fringes
||
One small, shrewd decision after another allows the film to sustain its naturalism to the end. The post ‘Preparation for the Next Life’ Review: Bing Liu’s Clear-Eyed Portrait of Love on the Fringes appeared first on Slant Magazine.
continue reading
‘Caught Stealing’ Review: Cat-Sitting Is Serious Business in Unpredictable Action Yarn
||
The story’s boilerplate setup gets a noticeable lift thanks to Darren Aronofsky’s style and focus. The post ‘Caught Stealing’ Review: Cat-Sitting Is Serious Business in Unpredictable Action Yarn appeared first on Slant Magazine.
continue reading
‘The Roses’ Review: Irreconcilable Differences
||
The War of the Roses is a brutal comedy of terrors, and The Roses is cuddly by comparison. The post ‘The Roses’ Review: Irreconcilable Differences appeared first on Slant Magazine.
continue reading
‘Love, Brooklyn’ Review: Rachael Holder’s Tender, Grounded Rom-Com Wants for More Bite
||
For better and worse, Love, Brooklyn makes little room for cynicism. The post ‘Love, Brooklyn’ Review: Rachael Holder’s Tender, Grounded Rom-Com Wants for More Bite appeared first on Slant Magazine.
continue reading
‘The Toxic Avenger’ Review: Macon Blair’s Remake Has No Real Appetite for Schlock
||
Pulled awkwardly in so many directions, this Toxic Avenger all but comes apart at the seams. The post ‘The Toxic Avenger’ Review: Macon Blair’s Remake Has No Real Appetite for Schlock appeared first on Slant Magazine.
continue reading
‘Sanatorium Under the Sign of the Hourglass’ Review: A Vibrant World of Grotesqueries
||
The film self-consciously disrupts linearity through dreamlike repetition and displacement. The post ‘Sanatorium Under the Sign of the Hourglass’ Review: A Vibrant World of Grotesqueries appeared first on Slant Magazine.
continue reading
‘A Little Prayer’ Review: Angus MacLachlan’s Family Drama Takes Us There (to North Carolina)
||
The film patiently illustrates how places imprint themselves upon us and guide our actions. The post ‘A Little Prayer’ Review: Angus MacLachlan’s Family Drama Takes Us There (to North Carolina) appeared first on Slant Magazine.
continue reading
Interview: Michael Angelo Covino and Kyle Marvin on the Visual Comedy Gold of ‘Splitsville’
||
Covino and Marvin discuss balancing visual and verbal humor, shooting on film, and more. The post Interview: Michael Angelo Covino and Kyle Marvin on the Visual Comedy Gold of ‘Splitsville’ appeared first on Slant Magazine.
continue reading