Slant Magazine

With his latest, Dumont leaves the refreshment of the space opera to future practitioners. The post ‘The Empire’ Review: Bruno Dumont’s Smugly Absurdist Anti-Space Opera appeared first on Slant Magazine.

Leandro Koch and Paloma Schachmann’s film is a genuine work of ethnomusicology. The post ‘The Klezmer Project’ Review: A Heady Journey of Preservation Through Bessarabia appeared first on Slant Magazine.

At the SAGs last weekend, it was easy to see how Emilia Pérez’s luck had faded. The post Oscar 2025 Winner Predictions: International Feature Film appeared first on Slant Magazine.

This category could end up being a consolation prize for The Brutalist. The post Oscar 2025 Winner Predictions: Cinematography appeared first on Slant Magazine.

It’s hard not to see Dune: Part Two’s sandworm mayhem as being in its own lane here. The post Oscar 2025 Winner Predictions: Sound appeared first on Slant Magazine.

The narrative drive of Conclave’s script proves a model for concision and momentum. The post Oscar 2025 Winner Predictions: Adapted Screenplay appeared first on Slant Magazine.

The narrative drive of Conclave’s script proves a model for concision and momentum. The post Oscar 2025 Winner Predictions: Writing (Adapted Screenplay) appeared first on Slant Magazine.

The Ice Tower is, ultimately, an aesthetic and nostalgic exercise. The post ‘The Ice Tower’ Review: Lucile Hadžihalilović’s Beautifully Tactile Fairy Tale of Obsession appeared first on Slant Magazine.

This is a category that significantly favors best picture nominees. The post Oscar 2025 Winner Predictions: Visual Effects appeared first on Slant Magazine.

The film is an empowering narrative of one woman who refuses to see age as a ceiling. The post ‘The Blue Trail’ Review: In Gabriel Mascaro’s Vivid Road Movie, It’s No Country for Old Women appeared first on Slant Magazine.