The Film Stage

SXSW Review: Death of a Unicorn is a Mythical, Predictable Genre Mash-Up
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A film with a few solid laughs and crowd-pleasing moments, Death of a Unicorn never quite pushes the envelope as far as it could or should. Landing somewhere between a traditional horror comedy and a Succession-lite satire, Alex Scharfman’s debut...
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SXSW Review: The True Beauty of Being Bitten by a Tick is a Fascinating DIY Bergman-Esque Experiment
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Falling somewhere between a horror film and dark comedy about wellness crazes, The True Beauty of Being Bitten by a Tick is, like director Pete Ohs’ previous Jethica, a film that suggests watching a play within a movie. Both features...
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SXSW Review: Jay Duplass’ The Baltimorons is a Sincere Throwback to Mumblecore’s Heyday
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A return to form for Jay Duplass, who’s also making his solo-directing debut, The Baltimorons is a charming throwback to the low-budget indies he directed with his brother Mark. Written and starring burly stand-up comedian Michael Strassner, the Baltimore-set film...
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The Day the Earth Blew Up: A Looney Tunes Movie Review: An Enjoyable Exercise in Updated Nostalgia
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We’ve had Looney Tunes for nearly a century. Leon Schlesinger produced their first short Sinkin’ in the Bathtub alongside animators Hugh Harman and Rudolf Ising in 1930. Almost 100 years later, the only Looney Tunes feature films (outside of theatrically...
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Philippe Lesage on Who by Fire, the Importance of Imperfection, and What TV Can Never Steal From Cinema
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Back at New Directors/New Films in 2019, I was struck by Philippe Lesage’s deeply moving, boldly structured coming-of-age tale Genesis, ultimately naming it one of my top 10 films of its respective year. Half-a-decade later the Quebecois filmmaker has finally...
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Leonardo DiCaprio Will Lead Martin Scorsese’s Home; Apple and Todd Field to Produce
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While it’s been very difficult of late to figure out what Martin Scorsese will follow Killers of the Flower Moon (already a couple years out from its Cannes premiere), today brings some of the closest confirmation of where he’ll head...
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SXSW Review: The Threesome is an Ambitious, Flawed Rom-Com From Chad Hartigan
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A big swing and nearly a miss, Chad Hartigan’s The Threesome is not without its charms even as it can overstay its welcome. A rom-com that offers a more serious tone for characters either in a state of arrested development...
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SXSW Review: Rodney Ascher’s Ghost Boy is a Moving, Philosophical Documentary About Being Trapped
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Directed by Rodney Ascher, best known for his horror-focused documentaries Room 237 and The Nightmare, Ghost Boy approaches its subject Martin Pistorius from, at times, the same perspective of his last feature A Glitch in the Matrix: locked in an...
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Sex Work in 1970s Japan Gets the Spotlight in Exclusive Trailer for Noboru Tanaka’s Newly Restored The Oldest Profession
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After Sean Baker’s sex work dramedy Anora won top honors at the Oscars last week, a Japanese landmark feature from Roman Porno master director Noboru Tanaka exploring the profession has been restored and is getting a U.S. release. The Oldest...
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7 Films to See at MoMI’s First Look 2025
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A snapshot of the most exciting voices working in American and international cinema today––and with a strong focus on newcomers––the Museum of the Moving Image’s First Look festival returns this week, taking place March 12-16.  As always, the festival brings together...
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