Slant Magazine

Unicorns: the glittery, magical, and at times terrifying creatures that the movies just can’t resist. The post 10 Famous Movie Unicorns appeared first on Slant Magazine.

The tidiness of The Friend increasingly plays as timidity across the two-hour runtime. The post ‘The Friend’ Review: Drama About a Dog-and-Human Bond Barks Up a Familiar Tree appeared first on Slant Magazine.

The film’s rhythms embody the swirling confusion and contradictions of adolescence itself. The post ‘Holy Cow’ Review: Coming of Age in Rural France, With and Without the Cheese appeared first on Slant Magazine.

The original tale proves too skeletal to support the film’s weightier ambitions. The post ‘Snow White’ Review: A Less Heigh-Ho Than Ho-Hum Remake of a Disney Classic appeared first on Slant Magazine.

Throughout, the filmmakers’ sympathies are lost in a confusing haze of cynicism. The post ‘Locked’ Review: Anthony Hopkins Tortures Bill Skarsgård in Muddled Action Thriller appeared first on Slant Magazine.

The French filmmaker discusses how he formalized a Freudian gaze for the film. The post Interview: Alain Guiraudie on Mercy and Morality in His Contemporary Parable ‘Misericordia’ appeared first on Slant Magazine.

Ash is a solid delivery mechanism for genre thrills. The post ‘Ash’ Review: Flying Lotus’s Sci-Fi Horror Thriller Coasts on Hypnotic Atmosphere appeared first on Slant Magazine.

The film intriguingly prods at current-day anxieties around having children. The post ‘The Assessment’ Review: Alicia Vikander’s Latest Resonant Trip to the Uncanny Valley appeared first on Slant Magazine.

This is “content” at its most nakedly bankrupt. The post ‘The Electric State’ Review: Zero Signal appeared first on Slant Magazine.

Holland doesn’t seem to want us to know what to make of it. The post ‘Holland’ Review: Mimi Cave’s Thriller Is an Inert Vision of White Female Dissatisfaction appeared first on Slant Magazine.