Slant Magazine

The film’s pleasures are ultimately more textural and academic than those of Tár. The post ‘Seven Veils’ Review: Atom Egoyan’s Chilly Psychodrama of Artistic Obsession Gone Awry appeared first on Slant Magazine.

The Visitor turns Teorema’s subtext into scathingly funny text. The post ‘The Visitor’ Review: Bruce LaBruce’s Blazing Middle Finger to Bourgeois Society appeared first on Slant Magazine.

Visually, the film conjures the same sense of dreamy disorientation of Coralie Fargeat’s work. The post ‘The Surfer’ Review: Nicolas Cage Rages Against Australian Bros in Psychedelic Thriller appeared first on Slant Magazine.

Can you blame us for indulging in “humanities major, sociology minor” thought exercises? The post Oscar 2025 Winner Predictions: Picture appeared first on Slant Magazine.

The sense of hope in There’s Still Tomorrow feels measured and pragmatic. The post ‘There’s Still Tomorrow’ Review: Paola Cortellesi’s Winning Black-and-White Feminist Parable appeared first on Slant Magazine.

We keep coming back here the same presupposition: that this is Demi Moore’s race to lose. The post Oscar 2025 Winner Predictions: Actress in a Leading Role appeared first on Slant Magazine.

The film’s open affection for the Looney Tunes franchise has a restorative quality. The post ‘The Day the Earth Blew Up: A Looney Tunes Movie’ Review: An Old-School Blast appeared first on Slant Magazine.

Today we ask ourselves if the wind has blown away from Adrien Brody in this category. The post Oscar 2025 Winner Predictions: Actor in a Leading Role appeared first on Slant Magazine.

With his latest, Dumont leaves the refreshment of the space opera to future practitioners. The post ‘The Empire’ Review: Bruno Dumont’s Smugly Absurdist Anti-Space Opera appeared first on Slant Magazine.

Leandro Koch and Paloma Schachmann’s film is a genuine work of ethnomusicology. The post ‘The Klezmer Project’ Review: A Heady Journey of Preservation Through Bessarabia appeared first on Slant Magazine.