Slant Magazine

Russ Meyer was a veritable one-man band. The post A Long Fuse and a Big Bang: Russ Meyer’s ‘Vixen’ Cult Classic Sexploitation Trilogy appeared first on Slant Magazine.

It’s in the VR world that the film best conveys its themes of modern intimacy and alienation. The post ‘Luz’ Review: Sci-Fi Concepts Reign Supreme Over Drama in Flora Lau’s Second Feature appeared first on Slant Magazine.

Clearly the marketing of Flight Risk’s 4DX theatrical option is an act of overcompensation. The post ‘Flight Risk’ Review: Mel Gibson’s Tepid Thriller Wastes an Eager Mark Wahlberg appeared first on Slant Magazine.

Much of Quentin Tarantino’s still underrated 1997 crime film hits you on the rebound. The post ‘Jackie Brown’ and the Vulnerable Q.T. appeared first on Slant Magazine.

Eggers discusses the film, its origins, and how the story was received in its birthplace. The post Interview: Robert Eggers on Resurrecting ‘Nosferatu’ and Recentering the Story appeared first on Slant Magazine.

Inheritance’s bizarre mismatch of form and content mostly saps it of life. The post ‘Inheritance’ Review: Neil Burger’s Vérité-Style Thriller Starring Phoebe Dynevor Falls Flat appeared first on Slant Magazine.

The film indicates a remarkably fully formed cinematic sensibility, for both better and worse. The post White Hot Cool: ‘Reservoir Dogs’ and the Birth of Quentin Tarantino’s Style appeared first on Slant Magazine.

With these films, Hollywood’s most talented video clerk blossomed into a great artist. The post The Cocksure Auteur Grows Up: Quentin Tarantino’s ‘Kill Bill: Vols. 1 and 2’ appeared first on Slant Magazine.

Yamada’s animated film suggests great depths by withholding so much. The post ‘The Colors Within’ Review: Yamada Naoko’s Luminous Anime About Finding Oneself appeared first on Slant Magazine.

Sasha Rainbow’s film loses all momentum once the face-swapping kicks into motion. The post ‘Grafted’ Review: This Body-Swapping Horror Movie Doesn’t Know What It Wants to Be appeared first on Slant Magazine.