Slant Magazine

Gia Coppola has crafted a film that feels fleeting and illusory by design. The post ‘The Last Showgirl’ Review: Pam Anderson Elevates Undercooked Tale of a Dream Cut Short appeared first on Slant Magazine.

The film presents a way of life where the only friction is between “man” and “nature.” The post ‘Gaucho Gaucho’ Review: A Sumptuously Distanced Portrait a Cowboy Community appeared first on Slant Magazine.

Eggers’s cinema has an aesthetic ravenousness about it that’s both stylish and sequestered. The post ‘Nosferatu’ Review: Robert Eggers’s Evocatively Cloistered Homage to a Horror Classic appeared first on Slant Magazine.

Pasolini leverages little in the way of words to tell his version of the story. The post ‘The Return’ Review: Uberto Pasolini’s Minimalist Retelling of Homer’s ‘The Odyssey’ appeared first on Slant Magazine.

Magnus von Horn’s film consistently conjures a disorienting and claustrophobic effect. The post ‘The Girl with the Needle’ Review: An Unsparing Vision of the Wounds of Womanhood appeared first on Slant Magazine.

Moana’s great voyage winds up taking her around in circles. The post ‘Moana 2’ Review: Treading Water appeared first on Slant Magazine.

Rasoulof discusses his resolve to keep telling stories in the wake of his multiple imprisonments. The post Interview: Mohammad Rasoulof on Fighting for Freedom with ‘The Seed of the Sacred Fig’ appeared first on Slant Magazine.

Kuritzkes discusses his collaboration with Guadagnino on Queer and Challengers. The post Interview: Justin Kuritzkes on ‘Queer’ and Speaking Luca Guadagnino’s Language appeared first on Slant Magazine.

Zilbalodis discusses what he hopes people will make of the film’s ambiguities. The post Interview: Gints Zilbalodis on Animating the Wordless Wonder of ‘Flow’ appeared first on Slant Magazine.

For devotees looking to see Wicked explode on to the screen, Chu’s vision won’t disappoint. The post ‘Wicked’ Review: Jon M. Chu’s Overstuffed but Often Glorious Musical Adaptation appeared first on Slant Magazine.